第 34 章 · 36 / 138

艙房餐桌

CHAPTER 34. The Cabin-Table

亞哈餐桌上的階級喜劇——三位船副在「蘇丹」面前噤若寒蟬、最小的弗拉斯克永遠吃不飽;對照三位標槍手隨後「近乎瘋狂的民主」狂吃;末了以「冬眠舔爪的灰熊」收束亞哈的孤絕。

🏛️ 典故與文化背景

「東方專制宮廷」的喜劇比喻體系

本章把亞哈的餐桌喜劇地比附為一座伊斯蘭/東方的專制宮廷——亞哈是「蘇丹(sultan)」「大蘇丹/土耳其大君(Grand Turk)」「亞哈王(King Ahab)」,三位船副是麾下的「埃米爾(Emir,酋長/王公)」,弗拉斯克進艙時則化身「卑屈者/奴隸(Abjectus)」。這套比喻延續第 33 章「sultanism(蘇丹式專制慾)」的設定,把捕鯨船餐桌寫成絕對王權的微型劇場——既滑稽,又暗藏對專制權力的批判。

伯沙撒(Belshazzar)與「請客即當凱撒」

伯沙撒是《舊約·但以理書》中巴比倫的末代王,以一場奢華的盛宴聞名(席間牆上出現神祕手寫的字 "Mene, Mene, Tekel, Upharsin",預言其國將亡——即著名的「牆上的字(the writing on the wall)」)。melville 借「主持盛宴的伯沙撒」論證:任何人只要在自家餐桌款待賓客,就嚐到了「當凱撒(社交沙皇)」的滋味——餐桌主位是一種無人能抗的微型王權。這為「船副在亞哈桌前的臣服」提供了心理學/政治學的解釋。

法蘭克福加冕宴與七選帝侯

神聖羅馬帝國的皇帝傳統上在法蘭克福加冕,加冕後與「七位選帝侯(Imperial Electors,有權選舉皇帝的七位德意志諸侯)」共進莊嚴的加冕宴。melville 用這場「肅穆到令人窒息的帝王宴」比喻亞哈餐桌的死寂——把一頓捕鯨船的午飯,抬到神聖羅馬帝國加冕禮的規格,是典型的melville 式「崇高與瑣屑並置」的反諷。

沒奶油的弗拉斯克——升官的反諷

三副弗拉斯克的「飢餓」是全章最辛酸又滑稽的喜劇。他位居軍官、卻因階級禮節(最後下桌、最先上桌、不敢自取、不敢碰奶油)而永遠吃不飽。他的感嘆——「升官的果實、榮耀的虛空、人生的瘋狂」、「我多想回去當水手、在船頭啃塊牛肉」——道出了一個樸素的真理:階級地位帶來的「尊榮」,往往以實實在在的「不自由與匱乏」為代價。melville 藉此調侃一切「向上爬」的虛榮。

兩桌的對比:壓抑 vs 民主

本章的核心結構是「第一桌(亞哈+船副)」與「第二桌(三標槍手)」的強烈對比。第一桌死寂、拘謹、充滿無形威壓(文明社會的階級壓抑);第二桌「近乎瘋狂的民主」、狂吃豪飲、無拘無束(野性的自由與生命力)。melville 顯然對後者投以更多的活力與讚賞——延續全書對「高貴野蠻人(魁魁格、塔什特戈、大個兒)」的禮讚,暗暗質疑「文明的階級秩序」是否真比「野蠻的平等」更可取。

大個兒「飲空氣維生」

melville 寫巨人大個兒食量極小卻精力充沛,打趣說「巨人不是靠牛肉麵包養大的」,而是「深飲了空氣這浩瀚的元素、從鼻孔吸進諸世界崇高的生命」。這是半開玩笑、半帶超驗主義色彩的筆法——把高貴野蠻人寫得近乎「以天地精華為食」的神話存在,抬高其崇高性。

「伺候食人族的白人侍者」的反轉幽默

麵團小子(白人膳務員)被三個「食人族」標槍手嚇得魂不附體——「他手臂上該掛的不是餐巾,而是一面盾牌」。這是melville 招牌的視角反轉:在「文明 vs 野蠻」的慣常想像裡,白人是主、有色人種是僕;這裡卻是戰戰兢兢的白人侍者伺候著威風凜凜的「野人」貴客。種族與階級的慣常位階被戲謔地顛倒,呼應全書對種族平等的進步視野。

「冬眠舔爪的灰熊」與「林中的洛根」——亞哈孤絕的收束

全章以一個沉鬱壯美的意象作結:亞哈像「最後一頭灰熊活在已開化的密蘇里」(文明逼近、野性僅存的孤獸);又像林中野熊在冬天把自己埋進空樹洞、「舔著自己的爪」過冬。「Logan(洛根)」一般指北美原住民傳說/著名的明戈族酋長 Logan(以一篇悲愴的孤獨演說聞名),此處melville 借「wild Logan of the woods」喻孤獨自封、與世隔絕的野性存在。最終句「亞哈的靈魂封閉在他身體中空的軀幹裡,舔食著牠那一身陰鬱的爪」——把亞哈的孤絕、自我封閉、以自己的陰鬱為食的精神狀態,凝成一個極具力量的悲劇意象。這呼應第 33 章末「亞哈的宏偉須從天上攫取、深淵潛探」——他是一個被自身的偉大與執念徹底孤立、自我吞噬的悲劇巨人。

📖 導讀

正午,臉白如麵包的膳務員「麵團小子」從艙口探頭,向他的「主上」通報開飯——亞哈正坐在背風小艇裡測日、在象牙腿上一塊圓徽形的小板上默算緯度。他對通報全然不理,只在抓住後桅支索盪上甲板時,用一種平板無波的嗓音說「開飯了,斯塔巴克先生」,便沒入艙裡。

接著是一場精妙的「進場儀式」喜劇:等亞哈這位「蘇丹」的腳步聲消失、料定他已就座,「第一埃米爾」斯塔巴克才從靜默中起身、踱兩步、瞄一眼羅經櫃,帶幾分客氣說「開飯了,斯塔布先生」下艙。「第二埃米爾」斯塔布在索具邊晃晃、扯扯主帆繩,也接過這「老差事」,匆匆一句「開飯了,弗拉斯克先生」跟下去。而「第三埃米爾」弗拉斯克獨自留在甲板上,彷彿卸下了某種拘束——朝四面八方擠眉弄眼、踢掉鞋子、在「大蘇丹」頭頂上空無聲地跳起一段急促的角笛舞,再俐落地把帽子拋上後桅頂當架子,一路嬉鬧著下去(在甲板看得見的範圍內)。可一到艙門口,他立刻換上另一張臉——獨立、歡鬧的小弗拉斯克,便以「卑屈者(Abjectus)/奴隸」的角色,走進亞哈王的面前。

海上慣例造就的怪事之一是:在甲板露天,軍官有時敢對船長大膽頂撞;可下一刻到同一個船長的艙裡用餐,他們對坐在桌首的他卻立刻變得謙卑賠小心。為什麼?以實瑪利論道:能在自家餐桌上款待賓客、行使那無人挑戰的個人影響力,那份「社交沙皇之術」的魔力無人能擋——「凡請過友人一頓飯的人,都嚐過當凱撒的滋味」;再加上船長的職權至上,便可推知這海上怪象的成因。

亞哈在他象牙鑲嵌的餐桌主位,像隻沉默、披鬃的海獅蹲在白珊瑚灘上,四周圍著他好戰卻仍恭順的幼獸。眾軍官各按次序等著被分菜,在亞哈面前像小孩;而亞哈身上又似乎不見半點社交傲慢。所有人的眼都緊盯老人切主菜的刀——沒人敢以哪怕「天氣」這類中性話題褻瀆那一刻。斯塔巴克接過遞來的肉,像在領救濟、輕輕地切、刀蹭到盤子還會一驚、悄無聲地嚼咽。這些艙餐肅穆得像法蘭克福加冕宴(德皇與七選帝侯共餐),在可畏的靜默中進行;可亞哈並不禁人交談,只是他自己一語不發。底艙有隻老鼠突然鬧出聲響,對快噎住的斯塔布簡直是解脫。可憐的小弗拉斯克是這疲憊家族裡的「么兒」——分到的是鹹牛肉的脛骨;他若敢自己動手取食,在他看來無異於「一級竊盜罪」;他尤其不敢碰奶油(不知是船東怕油壞了他陽光的好氣色、還是覺得這麼長的航程奶油太金貴,輪不到他這小副官)——總之,弗拉斯克是個「沒奶油的人」!

更慘的是規矩:弗拉斯克最後下桌、卻得第一個上甲板(因為比他高一階的斯塔布不能先他上去)。所以斯塔布一顯出吃完的跡象,弗拉斯克就得趕緊收尾,一天到頭吃不到三口。他私下承認:自當上軍官起,就沒嚐過「不飢餓」是什麼滋味——吃的那點東西非但解不了餓,反倒讓餓在他體內「永生不死」。「我是軍官;可我多想像當水手時那樣,在船頭撈塊老式牛肉啃啊。這就是升官的果實、榮耀的虛空、人生的瘋狂!」任何水手想報復弗拉斯克,只消在飯點從艙頂天窗瞄一眼他在可畏的亞哈面前那副傻愣愣、嚇呆了的模樣即可。

亞哈與三副構成艙裡的「第一桌」。他們按「倒序」離席後,蒼白的膳務員草草收拾,三位標槍手才被請來赴宴——他們是這宴席的「剩餘遺產繼承人」,把這高貴的艙室權當臨時的「僕役廳」。

與船長桌那難以忍受的拘束、那無形的威壓恰成強烈對比的,是這幾位「下等人」標槍手那無拘無束、近乎瘋狂的民主與自在。船副們連自己下顎開合的聲音都怕,標槍手卻嚼得有聲有色,吃得像王侯、像整天裝香料的印度商船般填飽肚子。魁魁格和塔什特戈胃口大得驚人,麵團小子常得再端上一大塊「彷彿從整頭牛身上鑿下來」的鹹醃肉;他若動作不夠麻利,塔什特戈會像擲魚叉似地朝他背上扔叉子加速他。有一回大個兒興起,一把把麵團小子拎起、把他的頭塞進一只大木盤,塔什特戈則持刀比劃起「剝頭皮」的前置圓圈。這個破產麵包師與醫院護士所生的、神經兮兮愛發抖的小膳務員,被「黑色可怖的亞哈」與這三個野人的輪番造訪,嚇得一輩子嘴唇不停打顫——伺候完標槍手,他總逃進隔壁小食品櫃,從門縫膽戰心驚地往外偷看,直到一切結束。

大個兒因為太高,坐凳子頭就會頂到低矮的橫樑,只好席地而坐,巨大的四肢一動就震得艙架發抖,像頭非洲象搭船當乘客。可這偉岸的黑人卻出奇地節制、近乎講究——叫人難信他靠那麼小口的食物,竟能維繫遍布全身的活力(敘事者打趣:巨人不是靠牛肉麵包養大的,他大概是「深飲了空氣這浩瀚的元素、從擴張的鼻孔吸進諸世界崇高的生命」)。魁魁格吃東西咂嘴聲響粗野難聽,嚇得麵團小子幾乎要去檢查自己瘦胳膊上有沒有牙印;標槍手們還掏出口袋裡磨槍的磨刀石,在飯桌上招搖地磨刀,那刺耳聲更叫他魂飛魄散——他怎能忘記,魁魁格在他海島的日子裡,準幹過些「殺人的、宴飲式的越軌之事」。唉,麵團小子!「伺候食人族的白人侍者,日子可真不好過——他手臂上該掛的不是餐巾,而是一面盾牌。」幸好那三位「海上鹹味戰士」終會起身離去——在他那輕信、愛聽神怪故事的耳裡,他們每走一步,渾身好戰的骨頭都叮噹作響,像鞘中的摩爾彎刀。

不過,這些野人雖在艙裡用餐、名義上住在那兒,他們閒不住,除了用餐與睡前路過,幾乎從不待在艙裡。在這一點上,亞哈與多數美國捕鯨船長無異——他們大抵認為艙房理應歸船長所有,旁人能進去全憑「恩准」。所以裴廓德號的船副與標槍手,與其說「住在艙裡」,不如說「住在艙外」——他們進艙就像「大門開進屋子」,向內轉一下、下一刻又被轉出去,常住的地方其實是露天。他們也沒因此損失什麼——艙裡並無同伴情誼可言;在社交上,亞哈遙不可及。他雖名義上算在基督教世界的人口普查內,卻仍是個外人。他活在世上,就像「最後一頭灰熊活在已開化的密蘇里」;又像春夏過後,那林中野性的「洛根」把自己埋進空樹洞、舔著自己的爪過冬——同樣地,在他那淒厲嚎叫的暮年裡,亞哈的靈魂封閉在他身體那中空的軀幹裡,就在那兒,舔食著牠那一身陰鬱的爪!

重點

  • 進場儀式三部曲:斯塔巴克→斯塔布→弗拉斯克依序傳「開飯」下艙——船副在甲板的小自由與艙裡的臣服,一儀節盡顯階級。
  • 「請一頓飯=當凱撒」:以實瑪利論「社交沙皇之術」——餐桌主位是無人能抗的微型王權,疊加船長職權即成艙桌的壓抑。
  • 沒奶油的弗拉斯克:么兒副官永遠吃不飽、不敢取食——升官=飢餓,「榮耀的虛空、人生的瘋狂」的喜劇與辛酸。
  • 標槍手的「近乎瘋狂的民主」:第二桌的狂吃豪飲,與船長桌的死寂恰成對比——野性自由 vs 文明壓抑。
  • 「冬眠舔爪的灰熊」:結尾以孤熊自封樹洞、舔爪過冬,定格亞哈靈魂的徹底孤絕——全章的沉鬱昇華。

📕 中英對照(逐段)

¶ 1

It is noon; and Dough-Boy, the steward, thrusting his pale loaf-of-bread face from the cabin-scuttle, announces dinner to his lord and master; who, sitting in the lee quarter-boat, has just been taking an observation of the sun; and is now mutely reckoning the latitude on the smooth, medallion-shaped tablet, reserved for that daily purpose on the upper part of his ivory leg. From his complete inattention to the tidings, you would think that moody Ahab had not heard his menial. But presently, catching hold of the mizen shrouds, he swings himself to the deck, and in an even, unexhilarated voice, saying, “Dinner, Mr. Starbuck,” disappears into the cabin.

正午時分;膳務員「麵團小子」從艙口探出他那張蒼白如麵包的臉,向他的主上通報開飯——主上正坐在背風的後甲板小艇裡測日,此刻默默地在他象牙腿上半部那塊光滑、徽章形的小板(每天專留作此用)上推算緯度。看他對這通報全然不理,你會以為陰鬱的亞哈根本沒聽見他這僕役。但他隨即抓住後桅的側支索,把自己盪上甲板,用一種平板、毫無生氣的嗓音說了句「開飯了,斯塔巴克先生」,便沒入艙裡不見了。

¶ 2

When the last echo of his sultan’s step has died away, and Starbuck, the first Emir, has every reason to suppose that he is seated, then Starbuck rouses from his quietude, takes a few turns along the planks, and, after a grave peep into the binnacle, says, with some touch of pleasantness, “Dinner, Mr. Stubb,” and descends the scuttle. The second Emir lounges about the rigging awhile, and then slightly shaking the main brace, to see whether it will be all right with that important rope, he likewise takes up the old burden, and with a rapid “Dinner, Mr. Flask,” follows after his predecessors.

等這位「蘇丹」最後一聲腳步的回響消散、斯塔巴克——這位「第一埃米爾」——有充分理由認定他已就座,斯塔巴克才從靜默中振作起來,沿甲板踱了幾步,又鄭重地往羅經櫃裡瞄了一眼,帶著幾分愉悅的口吻說:「開飯了,斯塔布先生」,便下了艙口。這「第二埃米爾」在索具邊閒晃了一會兒,又輕輕扯了扯主帆繩、看看那條要緊的繩子是否妥當,也接過這老差事,匆匆一句「開飯了,弗拉斯克先生」,跟在前兩位之後下去了。

¶ 3

But the third Emir, now seeing himself all alone on the quarter-deck, seems to feel relieved from some curious restraint; for, tipping all sorts of knowing winks in all sorts of directions, and kicking off his shoes, he strikes into a sharp but noiseless squall of a hornpipe right over the Grand Turk’s head; and then, by a dexterous sleight, pitching his cap up into the mizentop for a shelf, he goes down rollicking so far at least as he remains visible from the deck, reversing all other processions, by bringing up the rear with music. But ere stepping into the cabin doorway below, he pauses, ships a new face altogether, and, then, independent, hilarious little Flask enters King Ahab’s presence, in the character of Abjectus, or the Slave.

但這「第三埃米爾」,這會兒見自己獨自留在後甲板,彷彿卸下了某種古怪的拘束;他朝四面八方擠出種種會意的眨眼、踢掉鞋子,就在「大蘇丹(土耳其大君)」的頭頂上空,無聲地跳起一段急促狂烈的角笛舞;接著手法俐落地把帽子往後桅頂一拋當作擱架,便一路嬉鬧著下去——至少在甲板還看得見他的這段路如此——以「殿後奏樂」的姿態,把別人的「進場行列」整個顛倒了過來。可在踏進下面艙門之前,他停住腳,徹底換上另一張臉;於是,那獨立、歡鬧的小弗拉斯克,便以「卑屈者(Abjectus)」、亦即「奴隸」的角色,走進了亞哈王的面前。

¶ 4

It is not the least among the strange things bred by the intense artificialness of sea-usages, that while in the open air of the deck some officers will, upon provocation, bear themselves boldly and defyingly enough towards their commander; yet, ten to one, let those very officers the next moment go down to their customary dinner in that same commander’s cabin, and straightway their inoffensive, not to say deprecatory and humble air towards him, as he sits at the head of the table; this is marvellous, sometimes most comical. Wherefore this difference? A problem? Perhaps not.

海上慣例那濃烈的人為造作所滋生的怪事中,這一樁絕不算小:在甲板的露天裡,有些軍官受了刺激,敢對他們的指揮官表現得相當大膽、相當頂撞;可十有八九,讓那同一批軍官下一刻下到那同一位指揮官的艙裡用他們慣常的晚餐,他們對坐在桌首的他,立刻就變得與人無忤——不誇張地說——甚至賠著小心、一副謙卑相;這真是奇妙,有時還滑稽至極。何以有此差別?一個難題?也許不是。

To have been Belshazzar, King of Babylon; and to have been Belshazzar, not haughtily but courteously, therein certainly must have been some touch of mundane grandeur. But he who in the rightly regal and intelligent spirit presides over his own private dinner-table of invited guests, that man’s unchallenged power and dominion of individual influence for the time; that man’s royalty of state transcends Belshazzar’s, for Belshazzar was not the greatest. Who has but once dined his friends, has tasted what it is to be Cæsar. It is a witchery of social czarship which there is no withstanding. Now, if to this consideration you superadd the official supremacy of a ship-master, then, by inference, you will derive the cause of that peculiarity of sea-life just mentioned.

曾當過巴比倫王伯沙撒;而且當伯沙撒當得不傲慢、卻彬彬有禮——這其中必定帶著某種塵世的宏偉。但那以真正帝王而睿智的氣度、主持自家私人宴席款待賓客的人,他那一時之間無人挑戰的權力與個人影響的支配;那人「邦國般的王者氣派」,更勝過伯沙撒——因為伯沙撒並非最偉大的。凡只請過友人一頓飯的人,都已嚐過當凱撒是什麼滋味。那是一種「社交沙皇之術」的魔力,無人抵擋得住。如今,你若在此之上再添上一位船長的職權至上,那麼,循此推論,你便能得出方才所說那海上怪象的成因了。

¶ 5

Over his ivory-inlaid table, Ahab presided like a mute, maned sea-lion on the white coral beach, surrounded by his warlike but still deferential cubs. In his own proper turn, each officer waited to be served. They were as little children before Ahab; and yet, in Ahab, there seemed not to lurk the smallest social arrogance. With one mind, their intent eyes all fastened upon the old man’s knife, as he carved the chief dish before him.

在他那張象牙鑲嵌的餐桌主位,亞哈像一頭沉默、披著鬃毛的海獅,蹲在白珊瑚灘上,四周圍著他那些好戰卻仍恭順的幼獸。每位軍官各按自己的次序,等著被分菜。他們在亞哈面前像一群小孩;可亞哈身上,又似乎不潛藏著哪怕最微小的社交傲慢。眾人心意一致,專注的目光全都緊盯著老人的刀——當他切著面前的主菜時。

I do not suppose that for the world they would have profaned that moment with the slightest observation, even upon so neutral a topic as the weather. No! And when reaching out his knife and fork, between which the slice of beef was locked, Ahab thereby motioned Starbuck’s plate towards him, the mate received his meat as though receiving alms; and cut it tenderly; and a little started if, perchance, the knife grazed against the plate; and chewed it noiselessly; and swallowed it, not without circumspection.

我想他們無論如何也不會以哪怕最輕微的一句話、哪怕只是「天氣」這般中性的話題,去褻瀆那一刻。不會的!而當亞哈伸出刀叉、把那片夾在刀叉間的牛肉、連同這動作把斯塔巴克的盤子示意推向他時,這位大副接過他那份肉,就像在領取救濟;他輕手輕腳地切;刀子若偶爾蹭到盤子,他還會微微一驚;他悄無聲息地嚼;嚥下去時,也不無小心翼翼。

For, like the Coronation banquet at Frankfort, where the German Emperor profoundly dines with the seven Imperial Electors, so these cabin meals were somehow solemn meals, eaten in awful silence; and yet at table old Ahab forbade not conversation; only he himself was dumb. What a relief it was to choking Stubb, when a rat made a sudden racket in the hold below.

因為,正如法蘭克福的加冕宴——德皇在那兒與七位帝國選帝侯莊嚴共餐——這些艙餐不知怎地也是肅穆的餐宴,在可畏的靜默中進行;然而老亞哈在桌上並不禁止交談,只是他自己一語不發。當底艙下面有隻老鼠突然鬧出聲響時,對快噎住的斯塔布來說,那真是天大的解脫。

And poor little Flask, he was the youngest son, and little boy of this weary family party. His were the shinbones of the saline beef; his would have been the drumsticks. For Flask to have presumed to help himself, this must have seemed to him tantamount to larceny in the first degree. Had he helped himself at that table, doubtless, never more would he have been able to hold his head up in this honest world; nevertheless, strange to say, Ahab never forbade him. And had Flask helped himself, the chances were Ahab had never so much as noticed it.

而可憐的小弗拉斯克,他是這疲憊家族聚會裡的么兒、小男孩。分給他的是那鹹牛肉的脛骨;(若有雞的話)雞腿本也該歸他。弗拉斯克若膽敢自己動手取食,這在他看來,無異於「一級竊盜罪」。他若在那桌上自取食物,無疑將再也無法在這誠實的世界上抬起頭來;然而說來奇怪,亞哈卻從不禁止他。而弗拉斯克即便真自取了,亞哈十之八九根本不會注意到。

Least of all, did Flask presume to help himself to butter. Whether he thought the owners of the ship denied it to him, on account of its clotting his clear, sunny complexion; or whether he deemed that, on so long a voyage in such marketless waters, butter was at a premium, and therefore was not for him, a subaltern; however it was, Flask, alas! was a butterless man!

尤其,弗拉斯克最不敢染指的是奶油。不知他是以為船東不給他奶油、是怕油壞了他那清朗、陽光的好氣色;還是覺得這麼長、又沒地方補給的航程裡,奶油金貴稀缺,所以輪不到他這小副官;總之不管怎樣,弗拉斯克——唉!——是個「沒奶油的人」!

¶ 6

Another thing. Flask was the last person down at the dinner, and Flask is the first man up. Consider! For hereby Flask’s dinner was badly jammed in point of time. Starbuck and Stubb both had the start of him; and yet they also have the privilege of lounging in the rear. If Stubb even, who is but a peg higher than Flask, happens to have but a small appetite, and soon shows symptoms of concluding his repast, then Flask must bestir himself, he will not get more than three mouthfuls that day; for it is against holy usage for Stubb to precede Flask to the deck.

還有一事。弗拉斯克是最後一個下去吃飯的,弗拉斯克卻是第一個上來的。想想看!正因如此,弗拉斯克的這頓飯在時間上被擠得苦不堪言。斯塔巴克和斯塔布都比他先開動;可他倆又享有「殿後悠閒」的特權。就算只比弗拉斯克高一階的斯塔布,碰巧胃口小、很快顯出要結束這頓飯的跡象,那弗拉斯克就得趕緊張羅——這一天他撈不到三口以上;因為按神聖的慣例,斯塔布絕不能比弗拉斯克先上甲板。

Therefore it was that Flask once admitted in private, that ever since he had arisen to the dignity of an officer, from that moment he had never known what it was to be otherwise than hungry, more or less. For what he ate did not so much relieve his hunger, as keep it immortal in him. Peace and satisfaction, thought Flask, have for ever departed from my stomach. I am an officer; but, how I wish I could fish a bit of old-fashioned beef in the forecastle, as I used to when I was before the mast. There’s the fruits of promotion now; there’s the vanity of glory: there’s the insanity of life!

正因如此,弗拉斯克曾私下承認:自從他升上了軍官這份「尊榮」,從那一刻起,他就再沒嚐過「不或多或少地餓著」是什麼滋味。因為他吃下的那點東西,與其說是解了他的餓,不如說是讓那份餓在他體內「長生不死」。和平與滿足,弗拉斯克想,已永遠離開了我的胃。我是個軍官;可我多希望能像當水手時那樣,在船頭撈塊老式的牛肉啃啊。瞧,這就是升官的果實;這就是榮耀的虛空;這就是人生的瘋狂!

Besides, if it were so that any mere sailor of the Pequod had a grudge against Flask in Flask’s official capacity, all that sailor had to do, in order to obtain ample vengeance, was to go aft at dinner-time, and get a peep at Flask through the cabin sky-light, sitting silly and dumfoundered before awful Ahab.

此外,倘若裴廓德號上哪個普通水手對身為軍官的弗拉斯克懷有過節,那這水手要報個痛快的仇,只消在飯點走到船尾、從艙頂天窗瞄一眼弗拉斯克——看他在可畏的亞哈面前坐得傻愣愣、嚇呆了的那副模樣,也就夠了。

¶ 7

Now, Ahab and his three mates formed what may be called the first table in the Pequod’s cabin. After their departure, taking place in inverted order to their arrival, the canvas cloth was cleared, or rather was restored to some hurried order by the pallid steward. And then the three harpooneers were bidden to the feast, they being its residuary legatees. They made a sort of temporary servants’ hall of the high and mighty cabin.

卻說,亞哈與他三位船副,構成了裴廓德號艙裡可稱之為「第一桌」的一席。他們以與進場相反的次序離席後,那蒼白的膳務員便把帆布桌巾撤下——或者說,草草地把它收拾回個大致的秩序。然後,三位標槍手才被請來赴宴——他們是這宴席的「剩餘遺產繼承人」。他們把這高貴威嚴的艙室,權當成了一個臨時的「僕役廳」。

¶ 8

In strange contrast to the hardly tolerable constraint and nameless invisible domineerings of the captain’s table, was the entire care-free license and ease, the almost frantic democracy of those inferior fellows the harpooneers. While their masters, the mates, seemed afraid of the sound of the hinges of their own jaws, the harpooneers chewed their food with such a relish that there was a report to it. They dined like lords; they filled their bellies like Indian ships all day loading with spices.

與船長那一桌幾乎難以忍受的拘束、那無以名狀、無形的威壓恰成奇異對比的,是這幾位「下等人」標槍手那全然無拘無束的放縱與自在、那近乎瘋狂的民主。當他們的主子、那些船副連自己下顎開合的聲響都怕時,標槍手卻嚼得津津有味、嚼出了「響聲」。他們吃得像王侯;他們把肚子填得像整天裝載香料的印度商船。

Such portentous appetites had Queequeg and Tashtego, that to fill out the vacancies made by the previous repast, often the pale Dough-Boy was fain to bring on a great baron of salt-junk, seemingly quarried out of the solid ox. And if he were not lively about it, if he did not go with a nimble hop-skip-and-jump, then Tashtego had an ungentlemanly way of accelerating him by darting a fork at his back, harpoon-wise.

魁魁格和塔什特戈的胃口大得驚人,為了填補前一頓所造成的「空缺」,蒼白的麵團小子常不得不再端上一大塊「彷彿從整頭牛身上鑿下來」的鹹醃肉。他若動作不夠俐落、不連蹦帶跳地麻利伺候,塔什特戈就有種很不紳士的法子來「加速」他——像擲魚叉似地朝他背上扔一把叉子。

And once Daggoo, seized with a sudden humor, assisted Dough-Boy’s memory by snatching him up bodily, and thrusting his head into a great empty wooden trencher, while Tashtego, knife in hand, began laying out the circle preliminary to scalping him. He was naturally a very nervous, shuddering sort of little fellow, this bread-faced steward; the progeny of a bankrupt baker and a hospital nurse.

有一回,大個兒一時興起,幫麵團小子「提神醒記」——一把把他整個拎起、把他的頭塞進一只空的大木盤裡,塔什特戈則持刀在手,開始比劃起「剝頭皮」前要先劃的那道圓圈。這張麵包臉的膳務員,天生就是個極神經質、愛發抖的小傢伙——他是個破產麵包師與一個醫院護士的後代。

And what with the standing spectacle of the black terrific Ahab, and the periodical tumultuous visitations of these three savages, Dough-Boy’s whole life was one continual lip-quiver. Commonly, after seeing the harpooneers furnished with all things they demanded, he would escape from their clutches into his little pantry adjoining, and fearfully peep out at them through the blinds of its door, till all was over.

再加上那「黑色可怖的亞哈」這一恆常的景象、以及這三個野人週期性的喧鬧造訪,麵團小子的整個人生就是一場接連不斷的「嘴唇打顫」。通常,伺候完標槍手要的一切後,他便從他們的魔爪中逃進隔壁那間小食品櫃,從櫃門的百葉縫裡膽戰心驚地往外偷看他們,直到一切結束。

¶ 9

It was a sight to see Queequeg seated over against Tashtego, opposing his filed teeth to the Indian’s: crosswise to them, Daggoo seated on the floor, for a bench would have brought his hearse-plumed head to the low carlines; at every motion of his colossal limbs, making the low cabin framework to shake, as when an African elephant goes passenger in a ship.

那景象真值得一看:魁魁格與塔什特戈面對面坐著,把他那口銼尖的牙對著印第安人的牙;與他倆成橫向的是席地而坐的大個兒——因為若坐凳子,他那「靈車羽飾般」的頭就會頂到低矮的橫樑;他那巨大的四肢每動一下,都震得低矮的艙架直晃,就像一頭非洲象搭船當乘客似的。

But for all this, the great negro was wonderfully abstemious, not to say dainty. It seemed hardly possible that by such comparatively small mouthfuls he could keep up the vitality diffused through so broad, baronial, and superb a person. But, doubtless, this noble savage fed strong and drank deep of the abounding element of air; and through his dilated nostrils snuffed in the sublime life of the worlds. Not by beef or by bread, are giants made or nourished.

可儘管如此,這偉岸的黑人卻出奇地節制、甚至可說講究。叫人難以相信,靠那麼相對小口的食物,他竟能維繫遍布他那寬闊、貴族般、雄偉之軀的活力。但無疑,這位高貴的野人是「深飲了空氣這浩瀚的元素」、從他擴張的鼻孔裡「吸進了諸世界崇高的生命」。巨人,可不是靠牛肉或麵包造就、養大的。

But Queequeg, he had a mortal, barbaric smack of the lip in eating—an ugly sound enough—so much so, that the trembling Dough-Boy almost looked to see whether any marks of teeth lurked in his own lean arms. And when he would hear Tashtego singing out for him to produce himself, that his bones might be picked, the simple-witted steward all but shattered the crockery hanging round him in the pantry, by his sudden fits of the palsy.

但魁魁格吃東西時有一種要命的、野蠻的咂嘴聲——一個夠難聽的聲音——難聽到顫抖的麵團小子幾乎要去查看自己那瘦胳膊上有沒有牙印潛伏。而當他聽見塔什特戈吆喝他「現身、好讓人把骨頭剔乾淨」時,這頭腦簡單的膳務員嚇得突然渾身發抖、幾乎要把食品櫃裡掛在他四周的陶器都震碎。

Nor did the whetstone which the harpooneers carried in their pockets, for their lances and other weapons; and with which whetstones, at dinner, they would ostentatiously sharpen their knives; that grating sound did not at all tend to tranquillize poor Dough-Boy. How could he forget that in his Island days, Queequeg, for one, must certainly have been guilty of some murderous, convivial indiscretions.

標槍手口袋裡為磨他們的長槍與其他武器而帶的磨刀石——他們在飯桌上會招搖地拿這些磨刀石磨刀——那刺耳的聲音,也絲毫無助於安撫可憐的麵團小子。他怎能忘記:在他海島的日子裡,魁魁格這一個,就準幹過些「殺人的、宴飲式的越軌之事」。

Alas! Dough-Boy! hard fares the white waiter who waits upon cannibals. Not a napkin should he carry on his arm, but a buckler. In good time, though, to his great delight, the three salt-sea warriors would rise and depart; to his credulous, fable-mongering ears, all their martial bones jingling in them at every step, like Moorish scimetars in scabbards.

唉!麵團小子!伺候食人族的白人侍者,日子可真不好過。他手臂上該掛的不是餐巾,而是一面盾牌。不過,到了時候,叫他大為欣喜的是,那三位「海上鹹味戰士」終會起身離去;在他那輕信、愛聽神怪故事的耳朵裡,他們每走一步,渾身好戰的骨頭都在體內叮噹作響,像鞘中的摩爾彎刀。

¶ 10

But, though these barbarians dined in the cabin, and nominally lived there; still, being anything but sedentary in their habits, they were scarcely ever in it except at mealtimes, and just before sleeping-time, when they passed through it to their own peculiar quarters.

不過,這些野人雖在艙裡用餐、名義上也住在那兒,他們的習性卻絕非「久坐不動」,因此除了用餐時、以及就寢前路過艙裡去他們自己那特別的住處時,他們幾乎從不待在裡頭。

¶ 11

In this one matter, Ahab seemed no exception to most American whale captains, who, as a set, rather incline to the opinion that by rights the ship’s cabin belongs to them; and that it is by courtesy alone that anybody else is, at any time, permitted there. So that, in real truth, the mates and harpooneers of the Pequod might more properly be said to have lived out of the cabin than in it. For when they did enter it, it was something as a street-door enters a house; turning inwards for a moment, only to be turned out the next; and, as a permanent thing, residing in the open air.

在這一點上,亞哈似乎與多數美國捕鯨船長無異——這些人作為一個群體,大抵傾向於認為:船艙按理就該歸他們所有;旁人任何時候能進去,全憑「恩准」。所以說實話,裴廓德號的船副與標槍手,與其說「住在艙裡」,不如更恰當地說「住在艙外」。因為他們進艙時,那情形有點像「大門開進一間屋子」——向內轉一下,下一刻就被轉了出去;而作為長住之所,他們其實是棲身於露天。

Nor did they lose much hereby; in the cabin was no companionship; socially, Ahab was inaccessible. Though nominally included in the census of Christendom, he was still an alien to it. He lived in the world, as the last of the Grisly Bears lived in settled Missouri. And as when Spring and Summer had departed, that wild Logan of the woods, burying himself in the hollow of a tree, lived out the winter there, sucking his own paws; so, in his inclement, howling old age, Ahab’s soul, shut up in the caved trunk of his body, there fed upon the sullen paws of its gloom!

他們也並未因此損失多少;艙裡並沒有什麼同伴情誼;在社交上,亞哈是遙不可及的。他雖名義上算在基督教世界的人口普查之內,卻仍是它的一個外人。他活在這世上,就像「最後一頭灰熊」活在已開化的密蘇里;又像當春夏離去後,那林中野性的「洛根」把自己埋進一個空樹洞、舔著自己的爪、在那兒挨過整個寒冬——同樣地,在他那淒厲嚎叫的暮年裡,亞哈的靈魂封閉在他身體那中空的軀幹裡,就在那兒,舔食著牠那一身陰鬱的爪!

📚 艱深單字/片語/句型(20)

1menialKK [ˈminɪəl](n.)僕役;下人|(adj.)(工作)卑下的、低賤的
  • 詞義:本章 had not heard his menial「沒聽見他這僕役」——指做雜役、地位卑下的僕人;形容詞指「低賤的(活)」(menial tasks 雜役)。
  • 例句:menial labor(低賤的勞動)/ He was treated like a menial.(他被當下人對待。)
  • 詞源 × 實用度:古法語 mesnie「家僕」。日常實用度 ★★★☆☆(menial work/job/tasks 常見)。
  • 同義詞常用度:servant(80%)| lowly(60%)| humble(70%)| servile(45%)。
  • 詞性變化:無常見衍生。
2EmirKK [əˈmɪr](n.)埃米爾(伊斯蘭世界的酋長/王公/軍事統帥;亦拼 Emeer)
  • 詞義:本章戲稱三位船副為「第一/第二/第三埃米爾」——借伊斯蘭的「埃米爾(酋長/王公)」尊號,把船副比作亞哈這位「蘇丹」麾下的諸侯,延續本章「東方專制宮廷」的喜劇比喻。
  • 例句:the Emir of a Gulf state(一個海灣國家的埃米爾)。
  • 詞源 × 實用度:阿拉伯語 amir「統帥、王公」(同源 admiral、amir)。日常實用度 ★★☆☆☆(中東頭銜)。
  • 同義詞常用度:prince(75%)| chieftain(55%)| commander(70%)| sheikh(55%,謝赫)。
  • 詞性變化:emirate(n. 酋長國,如 United Arab Emirates 阿聯酋)。
3rollickingKK [ˈrɑlɪkɪŋ](adj.)歡鬧的;嬉笑喧鬧的;(故事/歌)熱鬧有趣的
  • 詞義:本章 he goes down rollicking「他一路嬉鬧著下去」——興高采烈、無拘無束地玩鬧。
  • 例句:a rollicking party(一場熱鬧的派對)/ a rollicking good tale(一個熱鬧逗趣的好故事)。
  • 詞源 × 實用度:或為 romp + frolic 混成。日常實用度 ★★☆☆☆。
  • 同義詞常用度:boisterous(60%,見第22章)| rowdy(55%)| raucous(45%)| jolly(65%)。
  • 詞性變化:rollick(v. 嬉鬧)/ rollicksome(adj.,罕)。
4abjectKK [ˈæbdʒɛkt](adj.)卑屈的;可憐到極點的;(境況)悲慘的
  • 詞義:本章 in the character of Abjectus, or the Slave「以『卑屈者(Abjectus)』即奴隸的角色」——弗拉斯克進艙瞬間「角色切換」成奴顏婢膝的卑屈者。abject=低聲下氣、毫無尊嚴的;亦指「極度悲慘」(abject poverty 赤貧)。
  • 例句:an abject apology(一個卑躬屈膝的道歉)/ abject poverty(赤貧)/ abject misery(極度的悲慘)。
  • 詞源 × 實用度:拉丁 abjicere「拋下、貶低」(ab-離 + jacere 拋)。日常實用度 ★★★☆☆(abject poverty/failure 常見)。
  • 同義詞常用度:servile(55%,奴性的)| groveling(50%,卑躬的)| wretched(65%,悲慘的)| utter(70%,徹底的,abject failure)。
  • 詞性變化:abjectly(adv.)/ abjection(n. 卑賤)。(Abjectus 是拉丁陽性形,melville 用作角色名。)
5mundaneKK [mʌnˈden](adj.)①世俗的、塵世的(本章義);②平凡無奇的、乏味的
  • 詞義:本章 some touch of mundane grandeur「某種塵世的宏偉」用本義「屬於塵世/人世的(相對於神聖)」。今最常用義「平淡乏味的、日常瑣碎的」。
  • 例句:mundane affairs(塵世/俗務)/ a mundane routine(單調的日常)。
  • 詞源 × 實用度:拉丁 mundus「世界」。日常實用度 ★★★★☆(「平凡乏味」義高頻)。
  • 同義詞常用度:worldly(65%,世俗的)| earthly(55%)| humdrum(55%,單調的)| ordinary(80%)。
  • 詞性變化:mundanely(adv.)/ mundanity(n.)。
6deferentialKK [ˌdɛfəˈrɛnʃəl](adj.)恭順的;謙恭有禮的;尊敬服從的
  • 詞義:本章 his warlike but still deferential cubs「他那些好戰卻仍恭順的幼獸」——對(上位者)表現出尊敬、順從、謙恭。
  • 例句:a deferential manner(一副恭順的態度)/ deferential to his elders(對長輩恭敬)。
  • 詞源 × 實用度:defer(順從)+ -ential。日常實用度 ★★★☆☆。
  • 同義詞常用度:respectful(80%)| submissive(60%)| obsequious(40%,諂媚的)| reverential(45%)。
  • 詞性變化:defer(v. 順從/推遲)/ deference(n. 敬重/順從)/ deferentially(adv.)。
7circumspectionKK [ˌsɝkəmˈspɛkʃən](n.)謹慎;慎重;小心周詳
  • 詞義:本章 swallowed it, not without circumspection「嚥下去也不無小心翼翼」——做事前後顧慮周全、謹慎小心。
  • 例句:to act with circumspection(謹慎行事)。
  • 詞源 × 實用度:拉丁 circum-(環顧)+ spectare(看)=「四下張望、留心」。日常實用度 ★★☆☆☆(正式)。
  • 同義詞常用度:caution(80%)| prudence(60%)| wariness(55%)| discretion(65%)。
  • 詞性變化:circumspect(adj. 謹慎的)/ circumspectly(adv.)。
8larcenyKK [ˈlɑrsənɪ](n.)(法律)盜竊罪;竊盜
  • 詞義:本章 tantamount to larceny in the first degree「無異於一級竊盜罪」——法律術語「盜竊」(分 grand/petty larceny 重/輕竊盜)。弗拉斯克覺得自取食物簡直像犯重竊盜。
  • 例句:He was charged with petty larceny.(他被控輕竊盜罪。)
  • 詞源 × 實用度:拉丁 latrocinium「搶劫」。日常實用度 ★★☆☆☆(法律詞)。
  • 同義詞常用度:theft(85%)| stealing(85%)| robbery(70%)| pilfering(45%,小偷小摸)。
  • 詞性變化:larcenous(adj. 盜竊的)/ larcenist(n.)。
9tantamountKK [ˈtæntəˌmaʊnt](adj.)(與…)相等的;無異於(to)
  • 詞義:本章 tantamount to larceny「無異於竊盜」——在效果/意義上等同於(常 be tantamount to sth)。
  • 例句:His silence was tantamount to an admission.(他的沉默無異於承認。)
  • 詞源 × 實用度:古義大利 tanto montare「等量」。日常實用度 ★★★☆☆(be tantamount to 正式常見)。
  • 同義詞常用度:equivalent to(80%)| equal to(80%)| as good as(70%)| amounting to(60%)。
  • 詞性變化:無(固定作 tantamount to)。注意與 paramount(至高的,見第33章)區分。
10domineeringKK [ˌdɑməˈnɪrɪŋ](adj.)專橫的;盛氣凌人的;發號施令的|(n. 本章複數)威壓
  • 詞義:本章 nameless invisible domineerings「無以名狀、無形的威壓」(名詞用法)——專橫地壓制、發號施令(亞哈那無形的支配力)。
  • 例句:a domineering father(一個專橫的父親)/ a domineering manner(盛氣凌人的態度)。
  • 詞源 × 實用度:拉丁 dominari「統治」(dominus 主人)。日常實用度 ★★★☆☆。
  • 同義詞常用度:overbearing(70%)| bossy(70%,愛指使人的)| authoritarian(60%)| tyrannical(55%)。
  • 詞性變化:domineer(v. 專橫跋扈)/ dominate(v. 支配)/ domination(n.)。
11portentousKK [pɔrˈtɛntəs](adj.)①預示(不祥)的;②(此處)大得驚人的、了不得的;③自命不凡的
  • 詞義:本章 such portentous appetites「胃口大得驚人」用「龐大得令人咋舌、了不得」義(由 portent 預兆 引申「異常巨大/重大」)。亦指「預示凶兆的」或「故作莊重、自命不凡的」。
  • 例句:a portentous appetite(驚人的胃口)/ portentous clouds(預示風暴的烏雲)/ a portentous tone(故作莊重的語氣)。
  • 詞源 × 實用度:portent(預兆,見第26章)+ -ous。日常實用度 ★★☆☆☆。
  • 同義詞常用度:prodigious(55%,巨大的)| momentous(55%)| ominous(60%,不祥的)| pompous(45%,自負的)。
  • 詞性變化:portent(n. 預兆)/ portentously(adv.)。
12abstemiousKK [æbˈstimɪəs](adj.)(飲食)有節制的;節儉的;不縱慾的
  • 詞義:本章 the great negro was wonderfully abstemious「這偉岸的黑人出奇地節制」——在吃喝上自我克制、不貪多(大個兒雖巨,食量卻小)。
  • 例句:an abstemious diet(節制的飲食)/ He's abstemious with alcohol.(他喝酒很節制。)
  • 詞源 × 實用度:拉丁 abs-(離)+ temetum(烈酒)。日常實用度 ★★☆☆☆(正式;趣聞:此字含五母音 a-e-i-o-u 按序)。
  • 同義詞常用度:temperate(55%,有節制的)| moderate(70%)| frugal(55%,節儉的)| sparing(55%)。
  • 詞性變化:abstemiously(adv.)/ abstemiousness(n.)。對照 abstain(戒絕,見第29章)。
13baronialKK [bəˈronɪəl](adj.)男爵的;貴族般的;(宅邸/排場)豪華氣派的
  • 詞義:本章 so broad, baronial, and superb a person「那寬闊、貴族般、雄偉之軀」——如男爵/貴族般氣派、宏偉的。常形容豪華的大宅(a baronial hall)。
  • 例句:a baronial mansion(一座貴族氣派的豪宅)/ baronial splendor(貴族般的華麗)。
  • 詞源 × 實用度:baron(男爵)+ -ial。日常實用度 ★★☆☆☆。
  • 同義詞常用度:lordly(55%)| stately(60%,氣派的)| grand(75%)| majestic(65%)。
  • 詞性變化:baron(n. 男爵)/ barony(n. 男爵領地/爵位)。
14convivialKK [kənˈvɪvɪəl](adj.)歡宴的;歡樂友好的;(人)愛交際暢飲的
  • 詞義:本章 murderous, convivial indiscretions「殺人的、宴飲式的越軌之事」——指魁魁格家鄉「在歡宴中(吃人)的放縱失檢」。convivial 本義「(宴會般)歡樂友好的」。
  • 例句:a convivial atmosphere(歡樂融洽的氣氛)/ a convivial host(一位好客愛熱鬧的主人)。
  • 詞源 × 實用度:拉丁 convivium「宴會」(con-+ vivere 生活)。日常實用度 ★★☆☆☆(正式褒義)。
  • 同義詞常用度:festive(60%,喜慶的)| jovial(55%,歡樂的)| sociable(65%)| genial(55%,見第28章)。
  • 詞性變化:conviviality(n. 歡樂/好客)/ convivially(adv.)。
15scimitarKK [ˈsɪmətɚ](n.)(中東/摩爾人的)彎刀、偃月刀
  • 詞義:本章 like Moorish scimetars in scabbards「像鞘中的摩爾彎刀」——伊斯蘭世界的單刃彎曲長刀。melville 用它比喻標槍手走路時骨頭叮噹作響。
  • 例句:a curved scimitar(一把彎曲的偃月刀)。
  • 詞源 × 實用度:或源自波斯語 shamshir。日常實用度 ★☆☆☆☆(歷史/異域武器)。
  • 同義詞常用度:sabre/saber(60%,軍刀)| cutlass(45%,短彎刀)| blade(75%)。
  • 詞性變化:亦拼 scimetar(本章拼法)/ scimitar。對照 scabbard(刀鞘)。
16sedentaryKK [ˈsɛdn̩ˌtɛrɪ](adj.)久坐的;(生活)少活動的;定居不遷移的
  • 詞義:本章 being anything but sedentary in their habits「他們的習性絕非久坐不動」——習慣於坐著、少走動的(標槍手閒不住,反之)。亦指動物「定棲不遷徙的」。
  • 例句:a sedentary lifestyle(久坐少動的生活方式)/ a sedentary job(一份成天坐著的工作)。
  • 詞源 × 實用度:拉丁 sedere「坐」(同源 sit、reside)。日常實用度 ★★★☆☆(健康話題高頻)。
  • 同義詞常用度:inactive(75%)| desk-bound(55%)| stationary(60%)| settled(60%,定居的)。
  • 詞性變化:無常見衍生。
17inclementKK [ɪnˈklɛmənt](adj.)(天氣)惡劣的、嚴酷的;(性情)無情的
  • 詞義:本章 in his inclement, howling old age「在他那淒厲嚎叫的暮年裡」——本指天氣嚴酷惡劣(inclement weather),此處喻亞哈晚景之淒厲、無情。
  • 例句:inclement weather(惡劣天氣)/ The game was cancelled due to inclement conditions.(比賽因天候惡劣取消。)
  • 詞源 × 實用度:in-(不)+ clement(溫和的)。日常實用度 ★★★☆☆(inclement weather 氣象/正式常見)。
  • 同義詞常用度:harsh(80%)| severe(80%)| stormy(70%)| bleak(65%)。
  • 詞性變化:clement(adj. 溫和的/仁慈的)/ clemency(n. 寬大/溫和)。
18palsyKK [ˈpɔlzɪ](n.)(醫)麻痺;癱瘓;(不自主的)顫抖
  • 詞義:本章 his sudden fits of the palsy「他突然渾身發抖(如麻痺發作)」——肌肉麻痺或不由自主的顫抖(如 cerebral palsy 腦性麻痺、palsy 老人顫抖)。
  • 例句:His hands shook as if with palsy.(他的手抖得像患了麻痺症。)
  • 詞源 × 實用度:希臘 paralysis 的古法語訛變(與 paralysis 同源)。日常實用度 ★★☆☆☆(醫療;cerebral palsy 常見)。
  • 同義詞常用度:paralysis(70%,癱瘓)| tremor(60%,顫抖)| shaking(75%)| trembling(75%)。
  • 詞性變化:palsied(adj. 麻痺的/顫抖的)。同源 paralyze(v. 使癱瘓)。
19ostentatiouslyKK [ˌɑstɛnˈteʃəslɪ](adv.)招搖地;炫耀地;故意顯擺地
  • 詞義:本章 they would ostentatiously sharpen their knives「他們會招搖地磨刀」——故意誇張地展示、賣弄(好讓人看見/受驚)。
  • 例句:He ostentatiously checked his expensive watch.(他炫耀似地看了看他那只名錶。)
  • 詞源 × 實用度:拉丁 ostentare「展示、炫耀」。日常實用度 ★★★☆☆。
  • 同義詞常用度:showily(55%)| flamboyantly(50%)| conspicuously(65%)| flauntingly(35%)。
  • 詞性變化:ostentatious(adj. 炫耀的)/ ostentation(n. 賣弄/炫耀)。
20片語/典故residuary legatee(剩餘遺產繼承人)& help oneself(自取、自行取用)
  • residuary legatee(剩餘遺產繼承人):本章戲稱標槍手是宴席的 residuary legatees「剩餘遺產繼承人」——法律術語,指遺囑中「在所有指定遺贈分配完後、繼承剩餘全部財產」的人。melville 戲謔地把「軍官吃完剩下的、輪到標槍手吃」比作「繼承剩餘遺產」。
  • legatee(n.):受遺贈人;residuary(adj.):剩餘的。
  • 例句:She was named residuary legatee in his will.(她被指定為他遺囑的剩餘遺產繼承人。)
  • help oneself(to sth)(自取、自行取用):本章 For Flask to have presumed to help himself「弗拉斯克若膽敢自己動手取食」——不必他人服侍、自己動手拿(食物等)。
  • 例句:Help yourself to the cake.(蛋糕請自己拿。)/ He helped himself to the company's funds.(他擅自挪用了公司的錢,委婉指偷。)
  • 同義詞常用度:serve oneself(70%)| take(90%)|(偷用義)pilfer(45%)。
  • 實用度:residuary legatee ★☆☆☆☆(法律專詞);help oneself ★★★★☆(口語高頻)。